One of the 20th century's leading artists of Turkish painting, Nuri İyem draws attention as a painter with a strong figurative expression who adopts social realism in his works. He is known for his works that reflect Anatolian people, especially women and laborers, in a simple yet profound way. In this study, the artist's work "Blacksmith", which focuses on rural life and labor, is analyzed based on the "Iconographic and Iconological Method of Art Criticism" developed by the German art historian Erwin Panofsky.
Table of Contents
Iconographic and Iconological Criticism of Nuri İyem's "Blacksmith" by Erwin Panofsky | Iconographic and Iconological Cr |
Nuray Ergindir | 996-1006 |

This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 2146-3328